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FILM & TV INDUSTRY RADAR – News aus Kamera, Film, TV und Broadcast
SATIS 2026 : le broadcast à l’épreuve de l’IP et du logiciel
IP, Cloud, Produktion Logistische Software, Audio Immersif… Auf der SATIS 2026 wird das Thema Rundfunk aus praktischer Sicht beleuchtet: Wie lassen sich Infrastrukturen und Produktionsmethoden weiterentwickeln, ohne die Anforderungen von Live-Übertragungen zu beeinträchtigen?
Eddie AI v4 Explained – Visual B-Roll Edits, Reference Edits, an Agent That Joins Your NLE Project
Eddie AI v4 moves the prompt-based assistant editor past transcript-driven rough cuts and into visual work: B-roll sequences, montages, and edits cut to the beat of a music track. At IBC 2026, we spoke to co-founder and CEO Shamir Allibhai about what changed under the hood, why credits have replaced subscriptions, and an agent that joins your Blackmagic Cloud or Premiere Productions project as another editor.
Die Broadcast-Sport-Story Model von IBC Accelerator Anwenden
News outlets built a common standard for tracking stories—Sports broadcasting needs one too. By Mark Turner, Program Director, SVG AI Innovation Lab IBC’s Accelerator program regularly produces some great collaborative new standards, best practices and innovations.
Virtual Finish Line: How Sony and HBS Built a New Data‑Driven View of Sprint Finishes
World Athletics’ new Virtual Finish Line (VFL) system made its debut at the inaugural Ultimate Championship (September 11-13, Budapest), offering host broadcaster HBS a near‑real‑time 3D reconstruction of the final
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